Kendrick lamar good kid maad city short film
Drake),” the Compton, California, native has proven that an artist doesn’t have to sacrifice meaningful lyrical content, artistic integrity, or honesty in order to create a record worthy of radio plays and chart success.Īnd while good kid tells the story of a teenage Lamar struggling to find himself as he battles the allure of violence, sex, and drugs in Compton, the album’s intellectually, emotionally, and introspectively mature content continues to teach us to be courageously and unapologetically ourselves against all odds.Īnd as the album's fifth birthday is this Sunday, we've rounded up six of its most memorable quotes that continue to have an impact on us today. From explosive (and sometimes, violent) bangers like "m.A.A.d city" and "Backseat Freestyle." to moody, down-tempo classics like “Sing About Me, I’m Dying Of Thirst” and “Poetic Justice (feat. In a time where party-influenced trap rap began to take over the charts in droves, Lamar purposely chose to take the road less traveled and presented the world with a meticulously crafted, introspective short film-and we all watched on in admiration and awe. And while the record may not have been his magnum opus (it's a close tie between To Pimp A Butterfly and DAMN.), it certainly positioned him at the epicenter of the music universe. Not since Kanye West's early shows has a major new MC balanced swagger and sensitivity with such aplomb.Almost five years ago, Kendrick Lamar blessed our ears and eyes with good kid, m.A.A.d city, a profound, self-critical, and emotionally expansive record that was dubbed a modern classic by critics and fans alike upon its release. Sometimes the gap between the records and their live versions produces intriguing tensions: the nauseous soul-searching of Swimming Pools (Drank) effectively becomes a boozer's anthem when the whole venue is shouting "Drank!" It's a tightrope act that doesn't feel like one.
#Kendrick lamar good kid maad city short film movie
City.Titled M.A.A.D, the 14-minute movie will debut at Sundance’s new Next. The way Lamar delivers hip-hop's visceral pleasures without resorting to the usual cliches is quite something, so you can't feel too aggrieved that some of his more sophisticated tracks go unplayed or that his vocals lose their melancholy nuances in translation to the stage. Kendrick Lamar is set to premiere a short film inspired by his acclaimed breakthrough album, Good Kid, M.A.A.D. Dressed in top-to-toe black, he mixes inspirational pep talks, rags-to-riches testimony, pantomime humility ("I don't even know if y'all like Good Kid, MAAD City"), flattery, flirtation, jokes and so much gratitude that you might come away thinking he'd be on skid row were it not for the charity of Londoners. This much enthusiasm could go to anybody's head, but just about the only thing Lamar doesn't do is brag.
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city alludes to previous works (primarily Section.80's 'Keisha's Song' and 'Poe Man's Dreams') without needing them and follows a very specific structure with a beginning, middle and end as implied by the cover art's subtitle 'A Short Film by Kendrick Lamar'. Online mixtape tracks are greeted like time-tested radio hits big songs such as Backseat Freestyle trigger shuddering roars. Kendrick Lamar appeals to both formulas, as good kid, m.A.A.d. The crowd seem to know every word, so Lamar can bounce lines back and forth, employing the audience as sidekick MCs.
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Often he strips it down even further by instructing the DJ to kill the music so he can finish a song a cappella. LAMAR sic The album that was made to be consumed as a cinematic experience now has the visual counterpart it demands. It's impossible to replicate an album as finely tuned as this on stage, but what Lamar does instead is equally impressive, crafting a captivating show out of hip-hop's basest elements: an MC and a DJ on a large, bare stage. Billed as "a short film by Kendrick Lamar", Good Kid, MAAD City is a morally complex, sometimes startlingly moving narrative about a young man who tries to do the right thing even as his friends and environment conspire to lead him astray. Lamar respects his neighbourhood's illustrious history, not least because he's mentored by an older notable of the city, Dr Dre, but he's no gangsta-come-lately. Now it is back on the map thanks to 25-year-old Kendrick Lamar Duckworth, whose Good Kid, MAAD City is the most impressive hip-hop album in years. Twenty-five years ago the Los Angeles suburb was the epicentre of a hip-hop revolution, spawning NWA and hence gangsta rap. O n a snowy night in London, Compton seems as distant as Mars.